Bravo, Maestro!
- Aug 14
- 8 min read
AN AUGUST 22 CELEBRATION AT TANGLEWOOD HERALDS KEITH LOCKHART’S 30 YEARS AS CONDUCTOR OF THE BOSTON POPS
By Anastasia Stanmeyer

On May 10, 1995, Keith Lockhart opened his very first Boston Pops season at Symphony Hall. He was only 35 years old and dubbed “The Kid” by longtime Pops Associate Conductor Harry Ellis Dickson. Born in Poughkeepsie, New York, Lockhart began his musical studies on piano at the age of seven and holds degrees from Furman University and Carnegie Mellon University. Prior to taking on the conducting post with the Boston Pops, he was an associate conductor for the Cincinnati Symphony and Cincinnati Pops.

American actor and singer


Broadway star Mandy Gonzalez
(Hamilton, In the Heights, Wicked)
“Keith Lockhart has a way of making every performance feel like an event, something truly special. That energy is contagious, and it elevates everyone onstage. Working with Keith, the incredible cast, and the Boston Pops at Tanglewood was an absolute dream. Even more special, I got to share it with my parents and daughter in the audience. The weather had its own performance: sunshine, rain, thunder, and back to sunshine again. Somehow, it followed the music perfectly. A truly unforgettable night.
“One of my favorite memories working with Keith was performing ‘Lady of the Underground’ from Hadestown, where I got to step into Persephone’s shoes. In that number, she gets to tease ‘The Boss’ a bit, and Keith couldn’t have been more fun in that role! He completely played along, bringing both authority and humor to the moment. The whole thing felt electric, and the orchestra sounded unbelievable. It was one of those nights where everything just clicked.”


Renowned French pianist
Jean-Yves Thibaudet
“Keith Lockhart is an absolutely fantastic musician. If you have had the opportunity to see him conduct very serious classical music, you know that he stands out as one of the greatest conductors of his generation. And as someone with an appreciation of film music and jazz, I have always admired how he brings this same standard of musicianship to that material, as well. His work with the Pops has been legendary; no one is more tapped into what American audiences want to hear, and no one delivers it with the same care and attention to detail. It has been an honor to join Keith and the Pops onstage for more than 20 years, and I look forward to many more!”

Bernadette Peters
“The very, very special aspect of Keith, which is monumentally important, is he can follow you. He really listens. I never sing anything the same way twice because I’m usually in the moment. Well, you can count on him to be in the moment with you. BUT what is remarkable is he gets 80 or more musicians to be in the moment with you, too! He can get that beautiful, beautiful orchestra to play as if they are one stream of consciousness….Every time I work with Keith, it’s a big thrill and always so exciting! I feel what happens is a bit of a miracle.”

John Pizzarelli,
Jazz Guitarist & Vocalist
“I first met Keith when we did a ‘jazz’ Gershwin show and then I was asked to participate in his first album [with the Boston Pops], Runnin’ Wild. I had a great time making the CD with him at Orchestra Hall. It was a very exciting atmosphere being it was his first album with his new ‘band’! … I don’t believe I have performed [with Keith] at Tanglewood. I’m excited to play there.

Marcus Collins, and John Hagen
“We first met Keith working with him at the Boston July 4 spectacular in 2019. He was really gracious and kind to us. There were a lot of high-profile people there, and he treated us like royalty, and we never forget that. It was such an honor and thrill to sing with an orchestra of that caliber. That’s not something we get to do every day. It was such an easy rehearsal process and every interaction before we even got there was fantastic; he is a consummate professional. Congratulations on 30 incredible years! We can’t wait to return and perform with you again! Here’s to 30 more years!”

Grammy®- and Emmy®-winning
Time for Three:
Ranaan Meyer, Nick Kendall, and Charles Yang
“It was the summer of 2008, when Keith was the music director of the Utah Symphony, and he had taken a chance on us by programming Time for Three as soloists for the symphony’s summer series at Deer Valley. It was a huge opportunity for us, and it was also pretty much love at first….hear? lol. But we fell in love then, and it’s been a tremendous partnership ever since! This will actually be our first time performing at Tanglewood! We’ve performed with Keith and the Boston Pops both at Symphony Hall and Carnegie Hall.
“The first thing that always stands out about Keith is how great of a musician he is. Every time we perform together, it’s like playing chamber music with him, except that it’s with a full orchestra under his baton! He is so dynamic, flexible, and decisive with his ideas and musical intention. Having this kind of collaboration allows for every moment to be ‘in the moment,’ and never predictable, and is what music making is all about! With a lot of Time for Three’s repertoire that we’ve either written for ourselves, or has been written specifically for us, there is a lot of bending of time and attention to groove. It is very rare to have a Maestro who can so masterfully live within all of these vast worlds. Another outstanding quality that we value is how much of a mentor he has been in our careers. He has brought us as guest artists to many of our first international dates, and has been such a steadfast advocate for what we do as an American band, coming from classical roots, but finding our own way in the world. His love and support has meant EVERYTHING, and we are so grateful.
“BRAVO MAESTRO!!! You are one of THE GREATEST, and we find ourselves so lucky to call you a friend. We love you, and congratulations on this momentous marker!”

Lockhart & Ben Folds (Winslow Townson); Lockhart, Billy Idol, Alfie Boe (Hilary Scott); Lockhart, Chris Botti, Sy Smith, Tim Lefebvre (Hilary
Scott); Lockhart, John Williams, Seiji Ozawa (Miro Vintoniv); The Wizard of Oz (Hilary Scott); Lockhart & Cindi Lauper (Stu Rosner); John Williams’
80th Birthday Celebration with Jessye Norman, Williams, Steven Speilberg, Yo-Yo Ma, Lockhart, James Taylor (Hilary Scott)
Broadway actor and concert performer/director
Jason Danieley

“I met Keith in 1998 when I was asked to be a guest artist for a concert The Pops was doing of music inspired by and scenes from Shakespeare. I had just starred on Broadway in Leonard Bernstein’s Candide, and they wanted someone to sing from West Side Story.
“Since then, I’ve performed with Keith numerous times at Tanglewood, as well as now having created and directed four concerts over the last four years. Two highlights were when I performed ‘An Evening of Cole Porter’ with Kelli O’Hara and ‘An Evening of Sondheim’ with Kate Baldwin. Both were amazing concerts and made all the more special because of Keith’s affinity and love for both of those amazing songwriters. Keith and I co-created and I directed another tribute a little after Sondheim had passed, Remembering Sondheim. That was particularly memorable as we both admire his music so much, and there was an amazing outpouring of love and admiration from the audience for his body of work.

“Another favorite memory would have to be any time my late wife, Marin Mazzie, and I sang with Keith. We played Boston’s Symphony Hall, two ‘4ths’ at the Hatch Shell, Tanglewood, toured Florida, toured the Northeast region of the States and, without the Pops, we traveled with him to Abu Dhabi and the Czech Republic and Slovakia. Dining in the gardens of the Emirates Palace after a performance or riding in the back of a van after an arena performance with the Czech Philharmonic, telling stories and playing games will always be incredible memories.
“Keith, 30 years is an amazing milestone, and the love for you from the people of Boston and in the Berkshires is well-earned. Your artistry, humor, and good will is unsurpassed. Congratulations! Thanks for the 28-year ride as a performer and now as a director. I’m always only a phone call away—for anything.”
Source: berkshiremag.com